lost_spook: (b7 - deva)
A while back, [livejournal.com profile] hyarrowen and I were clearly having like thoughts on Major Richter & Dr Martel-related hurt/comfort, and I finally got my idea to work. So, for [livejournal.com profile] hyarrowen, [community profile] trope_bingo square "hurt/comfort" and [livejournal.com profile] hc_bingo square "accept injury to protect someone," and set post-canon somewhere in the winter of 1944/45:


Invisible Incident (2461 words) by lost_spook
Chapters: 1/1
Fandom: Enemy at the Door (TV)
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Philip Martel & Dieter Richter
Characters: Dieter Richter, Philip Martel, Olive Martel
Additional Tags: Post-Canon, World War II, Minor Injuries, Community: hc_bingo, Community: trope_bingo, Hurt/Comfort
Summary: Oberst Richter has not been shot; there was no bullet.
lost_spook: (b7 - deva)
For the Talking Meme, from [personal profile] moetushie: The one old show (or movie) that you wish everyone would watch, and why.

I don't think there's anything everyone should watch (or read, or anything), because nothing's for everyone, and most certainly not when it comes to dodgy old British TV. And if I think about this, I could say Adam Adamant Lives! because we all need something cheerful in our lives right now, or any number of other things for lots of different reasons. But if I don't stop to think and go with gut instinct there's only ever one answer out of all the things I've watched, old and new, and I still can't justify it, but that is:

Predictable answer is under the cut, being predictable )


Probably really, though, people who don't mind this kind of old telly should just all go watch Adam Adamant Lives! right now because it is the most adorable and cheerful thing about an Edwardian adventurer out of time and fighting improbable evils and then you can also all write fic, thank you, that will be lovely. (Just skip ep3 and the second half of ep 5; there are reasons why most people don't watch old telly, of course. Plenty of 'em! /o\)


If I turn to film instead, then there's also only one answer out of my old-time viewing, which is (also predictably) The Lady Vanishes (1938; directed by Alfred Hitchcock), which you'd surely have to be pretty pernickitty not to like even a little bit. Shenanigans on trains with bonus rabbits and magic tricks and battles and lady-spies and fake nuns and Margaret Lockwood, Michael Redgrave and Dame May Witty. Oh, and those two guys who only wanted to get get to the cricket match, dammit. They so did not ask for this!

(That wasn't quite in one, was it? I still managed to cheat a bit.)
lost_spook: (b7 - deva)
Some Enemy at the Door fic, written for Hyarrowen, who wanted something to do with the Atlantic Wall and who shares my appreciation of Martel and Richter (and Committee Man!). I don't know if this was what was wanted, as it's mainly Martel & Richter discussing some consequences of the Wall for the Islands, but it's what I came up with:

Waiting For the Sky to Fall (1218 words) by lost_spook
Chapters: 1/1
Fandom: Enemy at the Door (TV)
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Philip Martel & Dieter Richter
Characters: Philip Martel, Dieter Richter
Additional Tags: Vignette, World War II, Starvation, Post-Canon, Stealth Friendship
Summary: Autumn 1944, and the situation on Guernsey grows ever more bleak, but there's always some slight consolation to be had, if you look for it hard enough.
lost_spook: (cat)
The commentfest continues! And talking of obscure and British things...

As threatened, a 'trailer' of sorts for ITV's 1978-80 WWII drama, Enemy at the Door. I made this as an experiment, because I thought I'd solved my issues with sound-editing on my vidding software. Guess what? I haven't, so this is not entirely a success - there are some sound issues, especially at the start, and it was getting worse with every edit. You may take it as read that I'm not doing anything else like this in a hurry. Still, that's what experiments are for, yes?

However, that said, it is still better than anything Network or Acorn have bothered to do for it and maybe it will explain something of why I like it so much. Or just bore everybody, I'm not sure at this point. Inevitably, there are some spoilers (especially for 1.13), but hopefully not too bad out of context (& not beyond 2.1 because Network wouldn't let me rip 2.2-2.13).

Enemy at the Door Trailer )
lost_spook: (b7 - deva)
I have been a bit AWOL, but for reasons and also now I have a vid! And, all right, so it is a vid of James Maxwell, BUT it is totally a vid containing cute children and animals, paper aeroplanes, stuffed toys, random barometers, wilful destruction of property, Emma Peel kicking ass, vampires, tea and coffee drinking, two Henry VIIs, rocks, Nazis, space ships, and an actual kitchen sink. Also epic hand-holding (but not anything like as much as there could have been).

Cut for Embed )

And, at some point, I will catch up with other stuff a bit. (♥)
lost_spook: (b7 - deva)
This has been doing the rounds again, and it was such fun last year to read everybody's posts, so i'm really looking forward to that again! I have decided to attempt to do it myself and hopefully not drop out this time. However, I definitely wouldn't be posting every day in December (or any month), so just give me a topic and I'll post on it any time between now and January. (If you specifically want to request a date for some reason, go ahead, except not between 22nd-31st Dec.)

Give me a topic, and I'll ramble on. It can be anything from fandom-related (specific characters, actors, storylines, episodes, etc.) to life-related to whatever you want.

They may be brief, or not, depending on the subject. Also, I reserve the right to decline prompts that I don't feel equipped to meet.


Topic list )



In other news, I have just watched both those Alfred Burke film shorts and he was a murdering rotter in both of them, but they were pretty enjoyable overall. There will no doubt be pics at some point - and the best bit probably was the bit where he was on the bed with the gun and the bow tie and the dodgy wallpaper.

But, yeah, he was a nasty piece of work, times two. What did I say? (I know my character actors.)


(I'm not now wondering what he gets up to in the other two Edgar Wallace films he was in.*)


(*I lied. Yes, I am.)
lost_spook: light + Ruth Evershed looking upwards (spooks - Ruth!)
I did actually make some icons for NaArMaMo that weren't from Enemy at the Door. Here are the rest (barring a few from Ripper Street that I hope to make a full set out of sometime) - mini sets on a theme for each day, in most cases.

Teaser:

Image and video hosting by TinyPic Image and video hosting by TinyPic Image and video hosting by TinyPic



Mostly old TV and kittens )
lost_spook: (dw - amy)
I made various icons for NaArMaMo, but halfway through the month, I started on an utterly pointless large set for Enemy at the Door. (NaArMaMo is just for having fun and experimenting, so I did.)

Teaser:

Image and video hosting by TinyPic Image and video hosting by TinyPic Image and video hosting by TinyPic


A lot of people need help - they don't know how to fight or even what to fight sometimes )
lost_spook: (Default)
I've been watching a very old TV series called Espionage (ITC 1963/4) (as I've mentioned a few times lately). It is an anthology series about spies, so each episode is a different story. I'm not sure what to make of it, to be honest, but I am enjoying watching it. It's an odd mix - ITC pretty and stellar casting, coupled with dollops of sentimentality, and occasional hackneyed dialogue, but with some interesting storylines and - which I think is its saving grace for me - a rather surprising cynicism and disapproval of espionage, war, and violence - and it's very critical about 'necessary' sacrifices - most episodes seem to conclude the cost is too high for both those who die and those required to be responsible for such decisions. With 1960s b&w pretty and amazing casts. So, I can't complain too much, even if for the first few episodes everyone cried so much it was bordering on overwrought.

So far I've watched about 9 episodes and have 13 more to go, so I reserve the right to change my mind.

Here are some not too long (and, as ever, not terribly serious) picspams for Alfred Burke in "Covenant With Death", James Maxwell in "The Final Question" and also some of "Light of a Friendly Star".


In which Alfred Burke is a speedy undresser in times of trouble )

In which nobody wants to see James Maxwell... )


Light of a Friendly Star )
lost_spook: (dw - amy)
For [community profile] hc_bingo square "Learning to be loved".

I made a Frank Marker/Helen Mortimer fanvid, Helen POV. I didn't even think that was actually possible, but apparently it is if you're me and you don't have much in the way of standards when it comes to vidding. In the middle of looking for some thoughtful, quiet old 50s song or an instrumental piece that would do, I somehow wound up with this. (I worried for a bit about whether or not it still met the prompt, but I've decided it does. I hope.)

They Don't Know About Us
Public Eye: Nobody else understands what Mrs Mortimer sees in Frank. (Frank Marker/Helen Mortimer, S4 fanvid.)

Music: They Don't Know by Kirsty MacColl

Or, in short, this is what happens in S4 according to Mrs Mortimer. Not particularly spoilery as such. Bookended with a little S6. Whether it's ironic, or horribly shippy, or just that Mrs Mortimer is right in fundamentals (and the long-term) if not the immediate outcome, I don't know.

Embed & Links under cut )
lost_spook: (s&s - silver)
Time for one of my Terribly Exciting picspams. (It really isn't this time. That's what happens when you watch people who aren't David Collings and who never get eaten by hyenas. It's very sad.)

Anyway, I finally risked watching my v. cheap film from 1957 with Alfred Burke in. (I hadn't before because I tend to find war films dull and I was convinced he'd only be in it for a minute and never be seen again. I was right about one of those things, but not the other.)

Alfred Burke and maybe even some Richard Burton and Christopher Lee )
lost_spook: (cat)
Anyway, as you'll have noticed, I've been trying to explain Public Eye since last November and failing. Now I've made a vid and that's the best explanation I have, and I'm happy at last:

All These Things
A Public Eye tribute.
(Length: 4.59 minutes)
"You've lived to be old... It's not a question of years, it's a question of seeing." Frank Marker and a life full of other people's problems.

All These Things )
lost_spook: (b7 - deva)
19. Something that made you think

Public Eye nearly always makes me think, and that's one of the main reasons why I like it. For something that features very low-key, mundane stories most weeks, it causes me to spend a lot of time thinking about it and rewatching things and working out what it's about. It varies (episodic old TV!) but most of the time, it expects me to make my own mind up, it doesn't tell me what I should be thinking. Which takes a little while to get used to, but it's wonderful once you have.


20. Something that made you laugh

Oh, meme, you want me to sit here and describe jokes while everyone else looks on unmoved? Okay, once I rewatched the Christmas episode from S6, that made me laugh quite a bit. (My favourite part is when Frank shouts at two carol singers, and then turns round, looks at them, and plaintively begs for a chip.) Also, the whole of the scene in S5's "Transatlantic Cousins" between Frank and Sir Roger L'Ettrell is just priceless. You'll have to take my word for it, but, really, you should have been there...


21. Best series opener
22. Best season finale


If you've been paying attention so far, you'll realise "Best anything" usually winds up at S4, so... "Welcome to Brighton?" and "A Fixed Address" (S4 opener and finale). "Welcome to Brighton?" is so bleak I find it hard to watch, but it's still exceptional TV.

For the other series: S1-3 don't have any openers/finales surviving. "Don't Forget You're Mine" feels like an opener (and a great one, too), but it isn't. If "Cross That Palm When We Come To It" existed, it might win best finale but it doesn't. (It's quite intriguing that the only time in 10 years that Public Eye knew it was coming back, they set up a really impressive story arc. I can't help but wonder what they'd have done if they'd ever had that knowledge again?) "A Mug Named Frank" (S5 opener) probably has the best opening scene, in terms of effectively introducing the character - Frank, in a supermarket, stops to help a shoplifter. (♥) S7's opener "Nobody Wants to Know" is pretty strong, too. But S4, people, S4.


23. Crackiest moment

There aren't a lot of cracky moments in Public Eye (at least not that I can think of off-hand), but there is one that's down to the fact that the first few scripts were written before the lead was cast, and so Roger Marshall still had in mind that Frank would be a man of iron. (Fate and the S1 producer happily had other ideas.)

So, in the first surviving episode, Frank's getting beaten up by two hired heavies... and the next scene, they're both lying unconscious. How did that happen? The mind boggles. Maybe he tried his divide and conquer tactics and had them fight each other, or an anvil fell out of the sky? Or they both inexplicably fainted, who knows? (I'd add in the whole storyline in which he's hired as bodyguard to a millionaire, except that Frank clearly found the whole idea as amusing as I did.)

Oh, and this:
Unintentionally amusing moment )

The Questions )
lost_spook: (b7 - deva)
6. Best title sequence

Public Eye had a different title sequence each series (except for S3), and I quite like most of them. However, while the usual theme is my favourite, you've got to give them points for S4: they not only made a new credit sequence, they recorded a different, slower and more downbeat version of the theme, and then "Welcome to Brighton?" had a separate, shorter credits sequence used only on that episode, in which we flick through Frank's prison file, which doubles up as a way of reminding viewers where they left him at the end of S3. If anybody could have forgotten...

The main/original theme and the rearranged S4 theme. (Written by Robert Sharples under the pseudonym Robert Earley).


8. Missing episode you would like to see found.

All thirty-six of them, of course! Narrowing it down, I'm more keen to see anything from S2 or 3 than S1, but anything would be wonderful. Everything that survives suggests it was always of a pretty high quality, and any tiny piece of Frank Marker than could be restored to the world would be amazing. (Sadly, they were wiped rather than lost, so... it's not likely, to say the least). Especially, I'd like the 8 lost Roger Marshall episodes, the 6 lost Robert Holmes stories, the David Whittaker, and the one that had Jacqueline Pearce in it, and also Pauline Delany's first guest appearance, but if you pin me down and make me choose one, then there's only really one answer...

"Cross That Palm When We Come To It" (S3) by Roger Marshall, the episode in which Frank gets set up and arrested, and there is no escape or proving his innocence for him. Viewers at the time wrote in demanding Frank's release, so maybe it was too heart-breaking to survive, but still, it's a crime that it doesn't.


9. Favourite photo/screencap

I thought about this, and flicked through my epic collection, but honestly:

The obvious one and some other contenders )

The questions! )
lost_spook: (Default)
Since I seem to be determined to inflict fanfic on the world, here's a Frank Marker & Helen Mortimer picspam. I went to do something else, and then made these graphics under the heading of "research for fic". Probably a bit spoilery, at least as far as this relationship goes, but I'd imagine most people aren't going to watch it, so...

A tale of two mugs )
lost_spook: light + Ruth Evershed looking upwards (spooks - Ruth!)
I have one of my other shows ready to go (or almost) but also had this now ready too, which it seemed sensible to post first...

Title: Matters of No Moment
Author: [livejournal.com profile] lost_spook
Rating: PG
Word Count: ~3890
Characters/Pairings:
Notes/Warnings: Anna, Charles Terrell, Colonel Michael Seaton
Summary: They’re all used to keeping secrets, but maybe it’s the things that go unsaid that matter the most in the end.


Heroes of the Revolution fanfic. Sorry. I tried not to… but maybe not all that hard. I can't quite live without a bit of original fic of some kind here and there. I think this wound up as more fanfic than plain missing scenes (though it’s inevitably that, too). It was originally meant to be writing up the dialogue I had of Anna interviewing Charles Terrell, but then it grew into something else. (The characters involved are those ‘played’ by Gemma Jones, Alfred Burke and Julian Glover.)

Matters of No Moment )
lost_spook: (b7 - deva)
I knew there was something else: and I bought (as a reward for doing hard stuff, including some money-saving/gaining things) the TV tie-in book of Enemy at the Door for 1p on Amazon. I was worried, because TV novelisations do tend to be a special kind of terrible. Anyway, it arrived today! And I will say more some other time (now, I have my parents up here - almost a rl again! Also I should answer comments), because it took a sudden lurch into making me wonder if it was being novelised by Ben Steed (and nobody wants that), but I got my money's worth by about p3 when the author had an go at describing Alfred Burke's face (as Major Richter):

"He [a random Police Inspector] sensed at once that Richter had a capacity to charm that might cloud a man's judgement... Richter was too quiet, too urbane, with a face of that ascetic cast which is acquired by saints, librarians and aristocratic confidence tricksters... Perhaps aware of this himself, Richter had grown a beard, but it did little to hide his saintly expression..."

Alfred Burke grew a beard to spare us all his face, because it was Too Much, trufax, people. Well, there's one mystery of life solved.

(It is very odd about this. It lovingly describes some of the characters as played by the particular actors, down to funny little quirks of how they played a scene and then others not, or he seems to have decided to make up his own version.)

Anyway, "saints, librarians and aristocratic confidence tricksters" :lol: :lol: :lol:. Gosh. I don't know why I went for being a librarian myself, then.
lost_spook: (spooks - Harry/Ruth/Bench = ♥)
(Finally finished it!! \o/)

Part Two: Recurring Characters & Episode Guide.

From [livejournal.com profile] jjpor: It's the morning after the revolution before. The Evil Empire has fallen; the Plucky Rebels won against impossible odds, as Plucky Rebels tend to do. Now they've just got to deal with the messy aftermath and, you know, actually govern the place. Preferably without becoming like the regime they've just defeated.


HEROES OF THE REVOLUTION

"The state has failed us, over and over, so we decide ourselves who to protect and who to betray, who to save and who to kill. This was no more, no less than that. Another act of conscience, if you like. Let's call it the final act of revolution - and remember we're all complicit in the crime."


A critically-acclaimed but long-forgotten 13 episode drama series from 1973/4 that starred Gemma Jones, Alfred Burke, Julian Glover and Diane Keen.

Set in the near-future in an alternate (but not too different) reality, where a tyrannical regime has been in power in Britain for nearly three decades, a group of freedom fighters led by a man known as "Arran", finally defeat the dictator Hallam - and then a new battle begins, one where the lines are even less clear than before. It explores the ethics of power as a drama plays out between the victorious rebel leaders, the remnant of the old guard, and those who want to find more peaceful solutions for the future.

Sentimentalists are going to destroy the country )
lost_spook: (b7 - deva)
(For the pictures, see the LJ version. I should have only posted one side, but forgot. Image troubles again, sorry.)

I'm still working on the supporting cast and the episode guide, but I think the main cast and basic set-up has solidified pretty well, so here's part 1 of the first fruits of the isurrendered meme...

The prompt, from [personal profile] jjpor: It's the morning after the revolution before. The Evil Empire has fallen; the Plucky Rebels won against impossible odds, as Plucky Rebels tend to do. Now they've just got to deal with the messy aftermath and, you know, actually govern the place. Preferably without becoming like the regime they've just defeated.


HEROES OF THE REVOLUTION

"The state has failed us, over and over, so we decide ourselves who to protect and who to betray, who to save and who to kill. This was no more, no less than that. Another act of conscience, if you like. Let's call it the final act of revolution - and remember we're all complicit in the crime."


A critically-acclaimed but long-forgotten (and doubtless studio-bound and dreary, shh, such things are awesome) 13 episode drama series from 1973/4 starring Gemma Jones, Alfred Burke, Julian Glover and Diane Keen.

Set in the near-future in an alternate (but not too different) reality, where a tyrannical regime has been in power in Britain for nearly three decades, a group of freedom fighters led by a man known as "Arran", finally defeat the dictator Hallam - and then a new battle begins, one where the lines are even less clear than before. It explores the ethics of power as a drama plays out between the victorious rebel leaders, the remnant of the old guard, and those who want to find more peaceful solutions for the future.

Isn't this better than anarchy? )
lost_spook: (s&s - silver)
I made a silly picspam post about Children of the Damned over on LJ. (Sorry; this is still about not duplicating image-heavy posts.)
lost_spook: (frank/helen/mug/tea)
My resolution not to talk about Public Eye at you any more unfortunately only ended in icons. What else was I to do? And so here they are, before I add them to my pile of Icons I Must Actually Post Some Day. 71 icons - text and images (mainly images). (Also including a few familiar guest stars at the end.)

Preview:
lost_spook: (cat)
I've finally finished watching Public Eye S6, so hopefully I can start to talk to people about things that aren't it soon. I did get rather tired because of rl stuff. (For some reason, I always suffer from stress when I have to visit the doctor, which is annoying, because then I can't even tell her things properly. It's mainly to do with the fact that i can't prove I'm ill in any way, so if she decided to stop believing me, I'd be stuffed, I think. So I was glad to have something to watch when I came back.)

Anyway, the wretched thing also had me waking up repeatedly for two nights in the past week trying to understand what was going on in the episode, and being terrified of one of them. I should have known last night to wait before watching the final episode, it being by Roger Marshall, but I did, and then, aargh, it slapped me in the face with stuff I did not want right at the last minute. I get impressed by it, I get amused, baffled, informed (I had no idea there were ever milk vending machines in the 1970s) and then I get madly angry and shocked with it for being... made in the 1960s/70s and letting itself down. I don't know how it does that to me. Or how-why-what is TV that doesn't have Alfred Burke in?

Also... the episode "The Man Who Said Sorry" - I feel as if I've seen the ending of it before, but I can't think how. I can imagine it being the sort of thing that would have turned up one way or another on those endless Channel 4 nostalgia/Top 100 things they used to do, but I don't understand why I would have had the same feeling of mystification about the suitcase. Maybe it was only because that was the one I dreamt about all night until my brain had worked out the suitcase in the morning. But still... Strange. Maybe something else used a similar device accidentally or in direct homage? (It is a very clever, weird and twisted up episode of TV - an isolated two-hander between Paul Rogers and Alfred Burke - who are both excellent in it - that takes place almost entirely in Marker's office. And kudos to the director, Jonathan Alwyn, because there's such a palpable sense of threat throughout, yet it's never exactly justified by what's happening.)

So, hopefully now, I can catch up a bit and do other things again. (I can't have the next series till after Christmas, and that's the end of it. I suspect now they burninated the 60s episodes for my protection, which is a bit mean on everyone else, but probably fair enough. Maybe.)

I shall now try and turn my attention fully to Yuletide fic and the talking meme and being capable of talking about things that aren't obscure British TV. Well, ish. I always talk about some obscure British TV...

ETA: Also I didn't get hit by a tidal wave, though that was probably self-evident from the rest of the post. I hope nobody else did, either. (The sea came in over the defences, which is very unusual here, especially since they've just been building them up, but no worse.)
lost_spook: (Default)
Since I apparently have no brain whatsoever for anything that isn't Public Eye still (sorry!), I might as well amuse you with a couple of screencaps of things that entertained me:

Pics under here )
lost_spook: (cat)
I said I'd made a post about Enemy at the Door, and here it is. (I'm thinking of doing some more fandom manifesto type posts for old TV I've watched, because they're fun and possibly even useful, if only to inform people of things to avoid. :-D)

So, what is it? Enemy at the Door is a 1978-80 UK drama series about the German Occupation of the (British) Channel Islands in WWII, focusing on Guernsey (and the fictional Martel family). It stars Alfred Burke, Bernard Horsfall and Simon Cadell with Antonia Pemberton, Emily Richard, Simon Lack, John Malcolm, Richard Heffer, Helen Shingler and David Waller. It was created and script-edited by Michael Chapman, produced by Tony Wharmby and written by Michael Chapman, James Doran, NJ Crisp, Kenneth Clark and John Kershaw. There are 2 series of 13x 50 min episodes (26 in all). It is out on DVD (definitely in Regions 1 &2); it is not on YouTube at the moment, though. (It was repeated on Yesterday, a freeview channel here in the UK last year, so it may get another turn.)

If you're not keen on old UK TV, then this obviously isn't for you. If, however, you are, and you are interested in well-written, well-played, low-key drama, WWII generally, or what happened to the Channel Islands in particular, then it may well be. Sadly, it was cancelled before they reached the end of the War, but what there is of it is well worth watching. Also, while it was shown pre-Watershed over 30 years ago (so there's very little they can actually show in terms of blood, violence etc.), it does deal with a lot of difficult subjects (very well generally): execution, imprisonment, depression, multiple suicide attempts, shooting, murder, possible rape, and beatings/interrogations.

Why, you may ask, especially after that cheery list of warnings? Well, it depends. If you want a lot of action and battles and other such fast-moving set-pieces, again, it's not going to deliver. But it explores its historical subject pretty accurately and also takes advantage of that situation to explore the ethical dilemmas of occupation from both sides with subtlety and intelligence and three-dimensional characters, and that's what's so great about it.

You chaps have commandeered my kitchen! )

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